![]() ![]() low intensity sounds, such as the noise of a refrigerator, seem too loud.your own voice seems too loud or distorted.very quiet sounds are comfortable, but ordinary sounds (like voices at conversational volume) are too loud or distorted.The onset of hyperacusis can be gradual or sudden. Other types of reduced tolerance to sound include ‘loudness recruitment’ and ‘phonophobia’. Usually both ears are affected, although it is possible to have it in only one ear. Hyperacusis is often associated with tinnitus (buzzing, ringing or whistling noises in the ears) and distortion of sounds. The most common cause of hyperacusis is damage to the inner ear from ageing or exposure to loud noise. People with hyperacusis often find ordinary noises too loud, and loud noises uncomfortable or painful. John’s College Santa Fe in 1998. Tias is the author of three books, The Thread of Breath, Meditations on a Dewdrop and Yoga of the Subtle Body.Hyperacusis is a type of reduced tolerance for sound. Tias earned a Master’s degree in Eastern Philosophy from St. His teaching style is unique in being able to weave together poetic metaphor with clear instruction filled with compassion and humor. Tias is a long time student of the meditative arts and Buddhist studies beginning with Vipassana and continuing in Tibetan Buddhism and Zen. His practice and teaching is influenced by the work of Ida Rolf, Moshe Feldenkrais and Thomas Hanna. Tias is a licensed massage therapist and his somatic studies include in-depth training in cranial-sacral therapy. Thus his teaching brings together precision of alignment, anatomical detail and a profound meditative experience. ![]() Tias began studying the work of B.K.S Iyengar in 1984 and lived in Mysore, India in 1989 studying Ashtanga Vinyasa Yoga with Pattabhi Jois. Tias synthesizes years of study in classical yoga, Sanskrit, Buddhist studies, anatomy, massage and trauma healing. His approach to the practice is inter-disciplinary, passionate, intelligent, innovative and full of insight. TIAS LITTLE’s unique and skillful approach enables students to find greater depth of understanding and awareness in their practice, both on and off the mat. The tiny bones and miniscule hairs of the ear provide us with a sense of exquisite internal equilibrium. When you make the sound of Ujjayi breath, you commune with the flow of breath. Every time you do half moon pose or crow, you are balancing your inner ear. Yoga is all really a training of the inner ear. This bloom opens us to boundless space and boundless time. Bloom like water born flowers, for the inner ear is suspended in fluid. I listened to the Big Nothingness, over the neighborhood houses, beyond the railway track and into the blackness of the distant hills. When sitting still, our ears should bloom. But I can distinctly recall other times when I would listen, my ear to the open window, far far into the night. At times I simply felt intimidated and fearful of the darkness and surrounding vastness. I remember as a seven year old the times when I would wake in the middle of a summertime night. Like listening to a fine piece of music, this leads to a sense of delight that travels through every nerve and fiber of our being. Do you know this expression, “my ears are burning”? When listening becomes finely tuned there is simultaneously inward absorption and outward expansion of consciousness. At least for a time, seated on the meditation cushion, we have to stop making sense and we do this by opening our ears wide. Listen so fine, so delicately, so intimately that “your ears burn”. But the song Stop Making Sense, says it all. I feel sorry for the millennial that missed David Byrne and the curious, questioning edge of his music. I have been a Talking Heads fan since their debut in the 70’s. Even if you listen to nothingness for 30 seconds….or 10 seconds…or 3 seconds….it allows your brain to hit the refresh button. ![]() Our brains are so accustomed to making sense of what we hear, interpreting, filing away, comparing. But listening to silence is rarely done yet for yogis it is the gateway to the subtle body. However, nothing is hard to hear. Typically we listen for something or to something. I like to imagine that the ears are high fidelity stethoscopes, attuned to any slight change in the nuance of the breath. In my recent book Yoga of the Subtle Body, I devote a chapter to the wonder of the ear, the ear that is delicate, semi divine and is a portal that connects us to the vital prana. ![]()
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